With four full-fledged channels that include all three basic sounds for each channel, the flexibility in the guitar universe is no longer set limits. In Vollröhrentechnik be the total of twelve basic sounds of each heart beat faster guitarists a thoroughbred! All three modes are color coded: green for each channel, orange and red. By repeatedly pressing the channel selection switch, the individual modes are selected. Through the clever switching of the active tube stages (Modes) arise in this
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way completely independent basic sounds - it is as the tone control in the green fashion of the Clean channel before Hauptgainstufe, offering the typical, unmistakable, American clean sound. The typical JCM 800 Marshall Sound (the orange-marked sound of the second channel), however, the opposite way: Here is the tone control located behind the Hauptgainstufe. In this way, make the JVMs what could digital amplifier like: This is the typical tube amplifier circuits different in a single device - but in true Vollröhrentechnik! In the red sound of the fourth channel, JVMs provide this by activating all the way, the biggest gain stage Gainpotential which there was at Marshall ever ...
4 channels with 12 basic sounds - in pure Vollröhrentechnik!
The JVMs set a new benchmark in terms of guitar amplification! For despite the enormous potential of this 100-watt amps, they are completely without even a single semiconductor in the signal path! All controls, the channel and mode circuits, the switching of the parallel FX loop, master switch, activating the reverb done so only via relay. This makes the amp always remain dynamic and always profit to 100% of the qualities of a real tube amplification!
Programmable relay technology par excellence!
store for each of the existing Grundsoundmodi (ie all three per channel) can be the key switch relay functions (ie, the signal routing and reverb, effects and master volume choice) free. But not only that: When switching to one of the twelve basic sounds in each case the last active switching relay configuration is stored so that when later retrieving the mode is the right sort of sound settings active. Was deliberately omitted on a programmability of the EQs, because that would mean sacrificing either the sound or the use of (too lazy working ...) motorized potentiometers. During the relay circuit instead the signal for all six milliseconds is muted - a mute, which is perceived not in practice! Four independent tone controls and switchable master volume indulge in live situations, with excellent accessibility to the Ampsounds and leave no wishes unfulfilled.
Access via programmable switch - or via MIDI ...
With the freely programmable (by the way of Marshall's patent pending ...) 6 button footswitch can be saved complete sound settings, and then easily retrieve. Which setting is on foot which, the owner of the JVMs for example, can decide themselves six different settings - each assigned consisting of channel selection, select the active mode, activation of the reverb, effects loop, and the choice of the master volume - the six buttons of the Stage boards are. Alternatively, a foot pedal for any arbitrary switching function of the amplifier front panel werden.Trotz copies of the extensive possibilities of the stage boards that communicate with the amp and its power simply by mono jack cable. The currently active functions are displayed in correlation to the front panel on the Stage Board. All settings remain stored in the Stage Board - thus is also from a shared JVM's own Fußschalterkonfiguration available. Users of multi-effect devices can alternatively retrieve all possible sound settings via the program change command. It is possible to total up to 128 MIDI presets, and all 12 MIDI channels.
JVM Heads in harmony with the various Cabinets ...
When selecting the cabinets allow the Head JVM410H nothing to be desired - his output transformer provides a 4 ohm, 8 ohm and one a 16 ohm winding, thus, all common combinations boxes are operated easily with the JVM. Especially recommended here would be to combine with the 1960AV or 1960BV - these cabinets support the Head of the entire Hörfrequenzspektrum and optimize the enormous range of sounds of the amp. Alternatively, use the user-oriented rather moderate 1960AHW / 1960BHW with G12H30, or the 1960AX / 1960BX / 1960TV Cabinet with Greenback speakers - of course, but also make the standard 1960A / 1960B Cabinets on JVM very good on stage enormously assertive sound. The Combo version of the top speaker, the JVM410C, is equipped with a Celestion Vintage and a Celestion Heritage speakers.
- 100 Watt RMS - 4 channels in Vollröhrentechnik without semiconductors in the signal path (Clean, Crunch, OD1, OD2) - Private Dreibandklangregelung and Gain & Volume for each channel - 12 footswitch or MIDI directly selectable basic sounds - Each basic sound is working with its own relaisgeschalteten network - Channel Memory stores each of the last used sound configuration - that is, all switching states - Configurable 6-way footswitch included - Marshall EL34 power amp with presence and resonance control - 2 switchable and programmable master volume - digital reverb with its own control for each channel - Programmable parallel effects loop with hardware bypass circuit - Serial insert loop with hardware bypass circuit - Emulated DI Out for mixer connection - Silent Recording in bypass operations - MIDI IN and MIDI THROUGH - 5x ECC 3 and 4 x EL34 Tubes - Dimensions: 750 x 310 x 215 mm - Weight : only 22kg |
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Manual
