spl Gain Station 1 / Modell 2272

  • spl Gain Station 1 / Modell 2272
  • spl Gain Station 1 / Modell 2272
  • spl Gain Station 1 / Modell 2272
  • spl Gain Station 1 / Modell 2272
  • spl Gain Station 1 / Modell 2272
  • spl Gain Station 1 / Modell 2272
Producto #: 129049
Marca: spl
Categoría: De un canal preamplificador de micrófono
Disponibilidad:  <h3>Disponibilidad</h3><span><span class="red">Will be ordered for you as quick as possible</span></span> Will be ordered for you as quick as possible    Notificarme
CHF 985.00
UVP: CHF 1249.00
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Single channel microphone and instrument preamplifier
El producto no es elegible para &quot;30 días de devolución&quot;
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Sounds a source "musty" and undynamic, often try to improve them with EQs, compressors and other effects - in the digital domain, however this can be a time consuming procedure, again without really achieving the desired sound quality. It is more important than ever to ensure best recording quality.

In this one GainStation technologies are used, which not only make our instruments happy, but especially the musicians. There are consistent components and circuits used in the intensive listening tests have proven to be optimal.

The compact design offers the most pleasant possibility of free placement of a rack outside some advantages, such as the direct accessibility of inputs and outputs, or the simple placement in close proximity to the microphone. Even musicians can place the GainStation one directly on the rack / amp. Cable channels can be kept as short and possible high-grade cables do not have to be purchased equal to miles of.

Key characteristics of the 1-GainStation Vorverstärkertechnologie:

- Discrete operational amplifiers in Class-A technology instead of industrial universal OPs. The GainStation OPs operate with a voltage of 60 V (typically 30 V) and thus provide a correspondingly large momentum.
- Amplifier slew rate (slew rate) of 200 V / microseconds. A very high value, especially high-frequency signal components transmitted clean and without edge clipping.
- A largely DC-coupled signal path to give up sound distorting capacitors.
- An optimized layout guarantees the shortest possible signal paths, provide large ground planes for low impedance and good level of shielding
- All switching functions are performed via sealed relay with gold plated contacts
- After comparisions selected resistors to 0.1% tolerance in the entire audio path
- Very elaborate power supply with double shielding, each having its own voltage winding and regulation. The power supply is the basis of a good quality sound and can not be overestimated in its importance.
- In the tube stage to work exclusively high-quality film capacitors MKP-reaching a clear and dynamic sound.

The high technological input signals are to be included with the GainStation1, audible in the mix better, have more shape and can also be mixed gently push through very well. Even very low tones and frequencies have a clear intonation. The rhythm of a particular instrument is especially for the musician much easier to see, in other words, one is immediately in the groove.

Uses such as a bass player as the GainStation a preliminary stage, he'll notice when playing, that he himself is responsible and thus better manage a better picture. The recording has significantly more power and dynamics, the signal "triggers" effortlessly from the speakers, small details are better recognized - in short, the instrument has a very high level of authenticity. In the tests of a GainStation therefore asked all the musicians also set a higher enthusiasm - some real surprise came on what instrument is familiar from the extract.

In most cases, therefore, the EQ and compressor operations will be considerably more moderate, often will you do without even completely sure - that can dramatically save time and computing power, and sounds in any case much better than a correction.

With a GainStation is also possible to influence the signal when recording sound. In the first place because the tube stage is mentioned, which is either totally disengaged, or can be shared continuously to gain. Subtle to significant effects by taking advantage of the tube saturation are as directly available.
The built-in limiter can either be used to protect a downstream A / D converter, or as generally to make a drum sound powerful. Subsequent compression work can thus be significantly lower and are often not even necessary.
For all these reasons, the more instruments shall be in production with a GainStation added, the clearer and the overall mix, and it is clearly less time about how to achieve a good mix.


Technical data

Frequency Response (Clean Gain 30dB, Tube Gain off, output level 0dB, + / - 0.5dB): <1Hz-125kHz

Frequency Response (Clean Gain 30dB, Tube Gain off, output level 0dB, + / - 3dB): <1Hz-310kHz

Frequency Response (Clean Gain 30dB, Tube Gain 1dB, output level 0dB, + / - 0.5dB): <1Hz-125kHz

THD + N (Clean Gain 24dB, Tube Gain from, output level +6 dB, 20-22kHz, +25 dBu output level voltage): 0.0005%

THD + N (Clean Gain 23dB, Tube Gain 1dB, output level +6 dB, 20-22kHz, +25 dBu output level voltage): 0.032%

Noise (Clean Gain 10dB, Tube Gain off, output level 0dB, 20-22kHz, A Rated) 95.4dBu

Noise (Clean Gain 30dB, Tube Gain off, output level 0dB, 20-22kHz, A-weighted) 91.8dBu

Noise (Clean Gain 60dB, Tube Gain off, output level 0dB, 20-22kHz, A-weighted):-67.2dBu

Noise (Clean Gain 20dB, Tube Gain 10 dB, output level 0dB, 20-22kHz, A-weighted):-86.4dBu

A (Clean Gain 60dB, Tube Gain off, output level 0dB, 20-22kHz, A-weighted, 40Ohm): 127.2dB

Dynamic range (20-22kHz, A-weighted):> 130dB

Gleichspannungsunterdrückung (Clean Gain 30dB, Tube Gain off, 1kHz,-30dBu input, output level 0 without Lundahl Transformer):> 80dB

Maximum voltage output level: +34 dBu

Maximum voltage input level (mic input, Hi-Z input): +17 dBu

Input impedance (instrument input):> 1MOhm

Output impedance:> 75Ohm

of slew rate (Clean Gain 30dB, Tube Gain, Output Level +6 dB):> 40V/μs

Phantom Power: 48V + /-2V

Power consumption (without AD conversion): 25W

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