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Vanessa O. - 25.07.2018
Le service de Musix est toujours au top!
Patrick B. - 22.02.2019
Merci le GT 1000 est de la bombe. Merci a Mr C. pour son conseil technique
Marcel T. - 29.10.2018
très bon travail, service impeccable, collaboratrice impeccable, merci beaucoup !
Georges P. - 27.02.2019
Excellent contact avec la direction des ventes et délai d'expédition très rapide après avoir dû attendre une réponse à ma première commande concernant une guitare basse plutôt raisonnable par rapport à son prix (j'ai opté pour un modèle plus cher mais livrable le lendemain de mon contact téléphonique après confirmation du règlement de la différence). En conclusion: pleinement satisfait finalement!
Antoine T. - 27.06.2019
Comme d habitude: livraison rapide et produit en super état. La qualité est là égalementi.

spl Gain Station 1 / Modell 2272

  • spl Gain Station 1 / Modell 2272
  • spl Gain Station 1 / Modell 2272
  • spl Gain Station 1 / Modell 2272
  • spl Gain Station 1 / Modell 2272
  • spl Gain Station 1 / Modell 2272
  • spl Gain Station 1 / Modell 2272
N° d'article: 129049
Marque: spl
Catégorie: Préampli micro mono-canal
Disponibilité:  <h3>Disponibilité</h3><span><span class="red">Sera command&eacute; pour vous aussi vite que possible</span></span> Sera commandé pour vous aussi vite que possible    Prévenez moi
CHF 985.00
UVP: CHF 1249.00
Par exemple:

Single channel microphone and instrument preamplifier
Produit non éligible aux retours 30 jours
Cette page contient des descriptions traduites automatiquement par un service de traduction. 


Sounds a source "musty" and undynamic, often try to improve them with EQs, compressors and other effects - in the digital domain, however this can be a time consuming procedure, again without really achieving the desired sound quality. It is more important than ever to ensure best recording quality.

In this one GainStation technologies are used, which not only make our instruments happy, but especially the musicians. There are consistent components and circuits used in the intensive listening tests have proven to be optimal.

The compact design offers the most pleasant possibility of free placement of a rack outside some advantages, such as the direct accessibility of inputs and outputs, or the simple placement in close proximity to the microphone. Even musicians can place the GainStation one directly on the rack / amp. Cable channels can be kept as short and possible high-grade cables do not have to be purchased equal to miles of.

Key characteristics of the 1-GainStation Vorverstärkertechnologie:

- Discrete operational amplifiers in Class-A technology instead of industrial universal OPs. The GainStation OPs operate with a voltage of 60 V (typically 30 V) and thus provide a correspondingly large momentum.
- Amplifier slew rate (slew rate) of 200 V / microseconds. A very high value, especially high-frequency signal components transmitted clean and without edge clipping.
- A largely DC-coupled signal path to give up sound distorting capacitors.
- An optimized layout guarantees the shortest possible signal paths, provide large ground planes for low impedance and good level of shielding
- All switching functions are performed via sealed relay with gold plated contacts
- After comparisions selected resistors to 0.1% tolerance in the entire audio path
- Very elaborate power supply with double shielding, each having its own voltage winding and regulation. The power supply is the basis of a good quality sound and can not be overestimated in its importance.
- In the tube stage to work exclusively high-quality film capacitors MKP-reaching a clear and dynamic sound.

The high technological input signals are to be included with the GainStation1, audible in the mix better, have more shape and can also be mixed gently push through very well. Even very low tones and frequencies have a clear intonation. The rhythm of a particular instrument is especially for the musician much easier to see, in other words, one is immediately in the groove.

Uses such as a bass player as the GainStation a preliminary stage, he'll notice when playing, that he himself is responsible and thus better manage a better picture. The recording has significantly more power and dynamics, the signal "triggers" effortlessly from the speakers, small details are better recognized - in short, the instrument has a very high level of authenticity. In the tests of a GainStation therefore asked all the musicians also set a higher enthusiasm - some real surprise came on what instrument is familiar from the extract.

In most cases, therefore, the EQ and compressor operations will be considerably more moderate, often will you do without even completely sure - that can dramatically save time and computing power, and sounds in any case much better than a correction.

With a GainStation is also possible to influence the signal when recording sound. In the first place because the tube stage is mentioned, which is either totally disengaged, or can be shared continuously to gain. Subtle to significant effects by taking advantage of the tube saturation are as directly available.
The built-in limiter can either be used to protect a downstream A / D converter, or as generally to make a drum sound powerful. Subsequent compression work can thus be significantly lower and are often not even necessary.
For all these reasons, the more instruments shall be in production with a GainStation added, the clearer and the overall mix, and it is clearly less time about how to achieve a good mix.


Technical data

Frequency Response (Clean Gain 30dB, Tube Gain off, output level 0dB, + / - 0.5dB): <1Hz-125kHz

Frequency Response (Clean Gain 30dB, Tube Gain off, output level 0dB, + / - 3dB): <1Hz-310kHz

Frequency Response (Clean Gain 30dB, Tube Gain 1dB, output level 0dB, + / - 0.5dB): <1Hz-125kHz

THD + N (Clean Gain 24dB, Tube Gain from, output level +6 dB, 20-22kHz, +25 dBu output level voltage): 0.0005%

THD + N (Clean Gain 23dB, Tube Gain 1dB, output level +6 dB, 20-22kHz, +25 dBu output level voltage): 0.032%

Noise (Clean Gain 10dB, Tube Gain off, output level 0dB, 20-22kHz, A Rated) 95.4dBu

Noise (Clean Gain 30dB, Tube Gain off, output level 0dB, 20-22kHz, A-weighted) 91.8dBu

Noise (Clean Gain 60dB, Tube Gain off, output level 0dB, 20-22kHz, A-weighted):-67.2dBu

Noise (Clean Gain 20dB, Tube Gain 10 dB, output level 0dB, 20-22kHz, A-weighted):-86.4dBu

A (Clean Gain 60dB, Tube Gain off, output level 0dB, 20-22kHz, A-weighted, 40Ohm): 127.2dB

Dynamic range (20-22kHz, A-weighted):> 130dB

Gleichspannungsunterdrückung (Clean Gain 30dB, Tube Gain off, 1kHz,-30dBu input, output level 0 without Lundahl Transformer):> 80dB

Maximum voltage output level: +34 dBu

Maximum voltage input level (mic input, Hi-Z input): +17 dBu

Input impedance (instrument input):> 1MOhm

Output impedance:> 75Ohm

of slew rate (Clean Gain 30dB, Tube Gain, Output Level +6 dB):> 40V/μs

Phantom Power: 48V + /-2V

Power consumption (without AD conversion): 25W

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Commentaires clients
Florian H. - 04.04.2019
Bon sang votre dernière livraison est arrivée tellement rapidement que j'en ai oublié quand je l'avais passée, c'est trop cool !
Isabelle B. - 04.01.2019
Très satisfaite du délai de livraison et du professionnalisme de l'equipe !
Catherine C. - 02.01.2019
J'ai profité du contact par chat disponible sur le site, et la personne qui m'a répondu était efficace et sympathique, et les renseignements exacts: j'ai reçu l'objet commandé très rapidement, malgré les Fêtes.
Georges P. - 03.02.2019
Très heureux d'avoir découvert votre site.
Johan W. - 06.02.2019
Merci à Musix et à David Caraccio
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